A.Y. Jackson’s “unknown” landscape

I visited McMaster University's Museum of Fine Arts in February 2020, to view several early (pre World War I) works by A.Y. Jackson. One of them, Girl in the Middy, an oil sketch of Rosa Breithaupt, herself painting by the water's edge, contained a bonus painting on the obverse side: a landscape catalogued as "unknown" in subject matter. Jackson's fellow member of the Group of Seven, A.J. Casson, actually wrote (in ink!) on it: "The sketch on the reverse side could possibly be an early AY Jackson." That clearly seems to be the case. But what does it depict?

Losing Tom

After a promising interview with Lord Beaverbrook on his candidacy as a war artist, Private A.Y. Jackson returned to his base in August 1917 and shocking news: Tom Thomson was dead.

A.Y. Jackson and Scotland’s artists

Charles Hodge Mackie, Entrance to the Grand Canal, Venice. By 1912. National Galleries, Scotland. As I researched my forthcoming book on A.Y. Jackson, Robin Rodger, a documentation officer in the collections department of the Royal Scottish Academy of Art & Architecture, was a big help in sorting out A.Y. Jackson's relationship with several leading British... Continue Reading →

“Water/L’Eau” exhibition

Two of my drawings, "Hunt Club" and "Gin Rock I. to Brébeuf I. " are part of the "Water /L'Eau" exhibition at Quest Art School and Gallery in Midland, Ontario, which opens June 15. I plan to be there for the opening, 2-4 pm, if you want to say hi. Also: I take terrible photos... Continue Reading →

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